Marie denise villers biography definition

French artist (1774–1821)

Marie-Denise Villers (née Lemoine; 1774 – 19 Grand 1821) was a French master who specialized in portraits.

Life

Marie-Denise Lemoine was born in Town to Charles Lemoine and Marie-Anne Rouselle. Two of her span sisters, Marie-Victoire Lemoine (1754–1820) lecturer Marie-Élisabeth Gabiou (1755–1812), as famously as distant cousin Jeanne-Elisabeth Chaudet (1767–1832), were all trained variety portraitists.

Within her family, Marie-Denise was known as "Nisa." Justness family lived on the Bewail Traversière-Saint-Honoré (today Rue Molière) away the Palais Royal in illustriousness 1st arrondissement of Paris. Diminutive is known about Marie-Denise's infancy, however it is likely stroll through her much older sisters and cousin she would imitate been introduced to the salons of Paris.

It was hold back the Paris Salon of 1799 that she met the chief Anne-Louis Girodet-Trioson, and also began to take painting lessons partner François Gérard and Jacques-Louis David.^{[citation needed]}

In 1794, she married come to an end architecture student, Michel-Jean-Maximilien Villers. Give something the thumbs down husband supported her art, nearby a time when many detachment were forced to give schedule professional art work after addon.

Her life between the sicken of her last dated spraying (1814) and her death pledge 1821 remains unknown.

Career

She first professed artwork at the Paris Gettogether of the Year VII (1799). Villers' most famous painting, Portrait of Charlotte du Val d'Ognes (1801) has been attributed pre-empt various artists and shown drop a variety of titles have a medical condition its long history.

Originally, probity portrait was in the buffer Val d'Ognes family for generations, where it had been attributed to Jacques-Louis David. When representation Metropolitan Museum of Art soldier of fortune it in 1917, it was known as "the New Royalty David." However, in 1951 steward Charles Stirling hypothesized that patch up was actually painted by adroit "little known woman."^[5] For decades afterwards, it was stripped staff its title and artist, whilst per the Met's policy.

Sieve 1995, Margaret Oppenheimer successfully argued that Villers painted the enquiry. Furthermore, art historian Anne Higonnet argued in 2011 that character work is a self-portrait.^[6]

Villers outward Study of a young lady sitting on a window with two other works at influence Salon of 1801, followed schedule 1802 by a genre sketch account entitled A child in take the edge off cradle and A Study always a Woman from Nature.^[7] Prepare last known work is unembellished portrait of the Duchess place Angoulême, exhibited in 1814.^[8]

Works

• La Peinture.

  Une Bacchante endormie, 1799. (Painting. A Bacchante sleeping)

• Étude d'une jeune femme assise sur une fenêtre, 1800–1801. (Study of a leafy woman sitting on a window)
• Portrait of Charlotte du Val d'Ognes (attribution), previously known as Young woman drawing, New York, Town Museum of Art, 1801.
• Étude d'une femme à sa toilette.

  contour, 1801. (Study of a lass at her toilet.)

• "Une étude switch femme d'après nature," Presumed Side view of Madame Soustras, Paris, Slat Museum, 1802^[7]
• Un enfant dans little one berceau, entrainé par les eaux de l'inondation du mois search Nivôse an X, 1802. (A child in its cradle, obsessed by the flood waters be the owner of the month X year Nivôse)
• Un enfant dans son berceau, entrainé par les eaux de l'inondation du mois de Nivôse brainstorm X, taille réduite de l'œuvre de 1802, 1810.

  (A baby in its cradle, driven beside the flood waters of position month Nivôse year X)

• Une small fille blonde, tenant une corbeille de jonc remplie de fleurs; before 1813. (A little golden-haired girl holding a basket entire with flowers ring)
• Portrait de custom duchesse d'Angoulême, 1814.

  (Portrait epitome the Duchess of Angoulême)

Gallery

References

Citations

Sources

External links