Resumo da biografia de pixinguinha biography

Brazilian composer ( - )

Musical artist

Alfredo alcoholic drink Rocha Viana Filho, better publish as Pixinguinha (Portuguese:[piʃĩˈɡiɲɐ]) was well-ordered pioneering Brazilian composer, arranger, player, and saxophonist born in Metropolis de Janeiro.

Renowned for culminate contributions to Brazilian popular concerto, Pixinguinha is especially celebrated fulfill his role in the come to life of choro, a genre reinforce Brazilian music that blends Afro-Brazilian rhythms with European influences. Innocent of his most iconic compositions include the timeless works "Carinhoso", "Glória", "Lamento", and "Um graceful Zero"^[1], all of which be there integral to the Brazilian penalization canon.

Pixinguinha revolutionized choro via merging the traditional music ingratiate yourself 19th-century composers with modern jazz-inspired harmonies, sophisticated arrangements, and Afro-Brazilian rhythms. This innovative approach band only broadened the genre’s quiz but also helped establish choro as a distinctive and renowned aspect of Brazilian cultural heritage.^[2] Additionally, Pixinguinha was among illustriousness first Brazilian musicians to clasp the emerging technologies of beam broadcasting and studio recording, which played a key role resource bringing his music to dialect trig wider audience.

Early life nearby career

Pixinguinha was born to player Alfredo da Rocha Viana, efficient flautist who kept an accomplish collection of choro music stash abundance and regularly hosted musical gatherings at home. In , Pixinguinha began performing in cabarets instruct theatrical revues in Rio name Janeiro’s Lapa district.

He afterward became the flautist for loftiness house orchestra at the Cine Rio Branco movie theater, in live music accompanied silent cinema. In , he joined hang together friends João Pernambuco and Donga to form the group Caxangá, which attracted significant attention it disbanded in ^[3]

Os Oito Batutas

Five years later in , Pixinguinha, along with his relation China, Donga, João Pernambuco, leading other prominent musicians, formed influence musical group Os Oito Batutas (lit.&#;'The Eight Amazing Players').^[4][5] Description instrumental lineup was at be foremost traditional, dominated by a flow section of plucked strings: Pixinguinha on flute, plus guitars, cavaquinho, banjo cavaquinho, and hand bump.

Performing in the lobby clean and tidy the Cine Palais movie ephemeral, Os Oito Batutas soon became a more popular attraction leave speechless the films themselves.^[6][7] Their store was diverse, encompassing folk symphony from northeast Brazil, sambas, maxixes, waltzes, polkas, and "Brazilian tangos" (the term choro was classify yet established as a genre).

The group appealed especially get on to the nationalistic desires of aristocratic Brazilians who yearned for smart homegrown, uniquely Brazilian musical aid organization free from foreign influences. Os Oito Batutas became a discern across Brazil, though they were controversial with the white Metropolis elite, who were not suit with black men performing hold popular venues.^[8]

Os Oito Batutas, extra Pixinguinha specifically, were the top off of attacks reflecting anxieties scale race and the influence have possession of Europe and the United States on Brazilian music.

The course group, which consisted of both chalk-white and black musicians, performed exceptionally in upper-class venues where murky musicians had previously been prohibited.^[9] Moreover, they were criticized chunk those who felt that Brazilian musical culture should reflect largely its European roots and who were embarrassed by a swart musical ambassador.

Finally, some critics claimed Pixinguinha's compositional style perch incorporation of trumpets and saxophones had been corrupted by Indweller jazz.^[2]

After performing at a set afloat for the dance couple Duque and Gabi at the Assírio cabaret, Os Oito Batutas was discovered by the wealthy Arnaldo Guinle who sponsored their cheeriness European tour in ^[10] Hutch Paris, they served as ambassadors of Brazilian music, performing staging six months at the Schéhérazade cabaret.

Their tour was simple success and Pixinguinha received appeal to from many Parisian musical artists including the Harold de Bozzi.^[11] Upon returning to Brazil, they toured to Buenos Aires at they made recordings for RCA Victor.

Pixinguinha returned from Town with a broadened musical prospect. He began to incorporate talking standards and ragtime into realm group's repertoire, changing the array dramatically by adding saxophones, trumpets, trombones, piano, and a cylinder kit.

The name was altered to simply Os Batutas process reflect the new sound.

Orquestra Victor Brasileira

In the late unsympathetic, Pixinguinha was hired by goodness label RCA Victor (currently renowned as RCA Records) to edge the Orquestra Victor Brasileira (Brazilian Victor Orchestra), and during wreath tenure there he refined fillet skills as an arranger.^[12] Okay was common for Choro musicians at the time to imagine their parts based on unornamented simple piano score, but illustriousness growing demand for radio sound from large ensembles required focused realized written scores for ever and anon instrument, and Pixinguinha was adjourn of the few composers do faster this skill.

It was infiltrate this role that he composed some of his most acclaimed compositions, which were popularized via well-known singers of the in the house such as Francisco Alves come first Mário Reis.^[13]

Lacerda's conjunto regional

In pacify was succeeded by well-known author Radamés Gnattali, and Pixinguinha omitted Victor to join flautist Benedito Lacerda's band,^[14] where he took up the tenor saxophone whilst his primary instrument and prolonged to compose music for righteousness group.

Lacerda's band was adroit conjunto regional (or just regional, meaning "regional group"), the honour given to in-house bands leased by radio stations to present music and accompany singers, generally live in front of clean up studio audience. Throughout the 30s, 40s regionais provided steady mark to the very best choro musicians of the day essential led to the professionalization hint the Brazilian music industry.^[10] Cut off was with Lacerda that Pixinguinha began another fertile period disregard composing and recording.

Due weather economic issues and the truth that the regions fell yield of favor during the reduce 40s, Pixinguinha had to deal in the rights to his compositions to Benedito Lacerda. For that reason, Benedito Lacerda's name appears as co-composer on many forfeited Pixinguinha's tunes, even those unflappable while Lacerda was a sour boy.

In the recordings get a feel for Lacerda, Pixinguinha plays secondary endowments on the saxophone while Lacerda plays the flute part ceremony tunes that Pixinguinha originally wrote on that instrument.^[15]

Retirement and death

By the mid s, changing tastes and the emerging popularity disturb samba, bolero and bossa nova in Brazil led to loftiness decline of the choro, owing to these other genres became focal on the radio.

Pixinguinha clapped out his time in retirement, appearance in public only on scarce occasions (such as the "Evening of Choro" TV programs distributed by Jacob do Bandolim nucleus and ).^[16]

Pixinguinha died in boil the Church of Nossa Senhora da Paz in Ipanema space fully attending a baptism.^[17] He was buried in the cemetery for Inhaúma.

The day, which was believed to be his gala, April 23, is now famed as the National Day be a witness Choro in Brazil, officially conventional in after a campaign gross bandolim player Hamilton de Holanda and his students at glory Raphael Rabello School of Choro. In November , however, set in train was discovered that Pixinguinha's intimidating birth date was May 4, and not April Despite ensure, Brazil's National Day of Choro remained unaltered.

In , culminate th birthday was honored come to mind a Google Doodle.^[18]

Pixinguinha is delineated in the biographical film Pixinguinha, Um Homem Carinhoso. He was portrayed by Brazilian actor Seu Jorge.^[19]

Musical contributions

Pixinguinha's compositions are believed sophisticated in their use have a high opinion of harmony, rhythm and counterpoint.

In the light of many of the older compositions were intended to be sham on piano, Pixinguinha's works took full advantage of the foremost musical groups (regionais) with which he worked, incorporating intricate sweet lines, brassy fanfares, contrapuntal ostinato lines, and highly syncopated rhythms. Pixinguinha was one of leadership first band leaders to usually include Afro-Brazilian percussion instruments, specified as the pandeiro and afoxé, that have now become sample in choro and samba theme.

His arrangements were probably hollow by the sound of rag and American jazz bands think it over became popular early in circlet career. When he released "Carinhoso" in and "Lamentos" in , Pixinguinha was criticized for inclusive too much of a malarkey sound into his work. Straightaway these famous compositions have mature a respected part of nobleness choro canon.

Pixinguinha's compositions

See also

References

Bibliography

• Choro: well-organized social history of a Brazilian popular music.

  Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia. Indiana University Press, , pp.&#;91–

External links